Selected open access writings
Machine Music (2016)
Where are the Ears of the Machine? (2015)
A Dialogue on Cassette Tapes and their Memories (2014)
(Micro) Politics of Algorithmic Music (2018)
Applying the EBU R128 loudness standard in live-streaming sound sculptures (2017)
Inconsistent Attunements (2016)
Den fejlende musikmaskine (2012)
The Necessity of Sound Art (2023)
Full publication list
Riis, M., Schmidt, U. (2024) GENERIC SOUNDS - On the Typical, the Indistinct and the Impersonal in the Sonic Arts, Media and Auditory Culture. Editorial: Seismograf. DOI https://doi.org/10.48233/01
Højlund, M. K., Riis, M (2020) Transductive Wind Music: Sharing the Danish Landscape with Wind Turbines. Leonardo Music Journal, 30, pp.93-97
Højlund, M. K., Riis, M. S., Kirkegaard, J. R., & Kristensen, M. S. (2020) The Overheard: An Attuning Approach to Sound Art and Design in Public Spaces in The Bloomsbury Handbook of Sonic Methodologies. Eds. Michael Bull and Marcel Cobussen (pp 423-435). London, New York: Bloomsbury Publishing Riis, M (2020) Mechanics - From Physicality over Symbolism through Malfunction and Back Again” in The Bloomsbury Handbook of Sound Art. Eds. Sanne Krogh Groth and Holger Schulze. London, New York: Bloomsbury Publishing.
Cox, G., & Riis, M. (2018) (Micro) Politics of Algorithmic Music In A. McLean & R. Dean (Eds.), Oxford Handbook on Algorithmic Music. New York, Oxford University Press.
Lønstrup, A., Riis, M. S., Pedersen, B. S., & Borcak, L. M. L. W. (2017). Editorial: Voice and Memory . SoundEffect, 7(2), 1-3.
Højlund, M. K., Riis, M. S., Kirkegaard, J. R., & Breinbjerg, M. (2017). The Overheard: An ecological approach to public sounding art. Paper præsenteret ved UNeECC 2017: 11th Interdisciplinary Conference of the University Network of the European Capitals of Culture, Aarhus, Danmark.
Riis, M. S., Højlund, M. K., & Kirkegaard, J. R. (2017). The Overheard og OFFSTAGE: Lydkunst i det offentlige rum. Paper præsenteret ved Urban Lab , Horsens, Danmark.
Riis, M. S., Højlund, M. K., Kirkegaard, J. R., & Breinbjerg, M. (2017). The Overheard: Developing Ecological Methods for Sound Art in Public Spaces. Paper præsenteret ved Listening to the City, Cambridge, USA.
Højlund, M. K., Riis, M. S., Rothmann, D., & Kirkegaard, J. R. (2017). Applying the EBU R128 loudness standard in live-streaming sound sculptures. NIME Proceedings, 2017, 420-25.
Breinbjerg, M., Højlund, M. K., Kirkegaard, J. R., & Riis, M. S. (2017). The Overheard: an ecological approach to public sounding art. Paper presented at Sound + Environment 2017, Hull, UK.
Breinbjerg, M., Højlund, M. K., Riis, M. S., Fritsch, J., & Kirkegaard, J. R. (2016). Audio satellites: overhearing everyday life. I A. D. Angeli, L. Bannon, P. Marti, & S. Bordin (red.), COOP 2016: Proceedings of the 12th International Conference on the Design of Cooperative Systems (s. 297-202). [18] Springer.
Højlund, M. K., Riis, M. S., & Breinbjerg, M. (2016). Design af dynamiske atmosfærer med lyd. I Se lyset, hør lyden: udfold byens muligheder (s. 62-76). Urban Lab.
Riis, M. (2016). Machine Music - A Media Archaeological Excavation. Aarhus: Aarhus University Press.
Højlund, M., & Riis, M. (2016) Inconsistent Attunements - Not-knowing through Sound Art in Artistic Research. Quadratura (3).
Lindell, R., Tahiroğlu, K., Riis, M. S., & Schaeffer, J. (2016). Materiality for Musical Expressions: an Approach to Interdisciplinary Syllabus Development for NIME. NIME Proceedings, 16, 344-349.
Riis, M. (2015). Where are the Ears of the Machine? - Towards a sounding micro-temporal object-oriented ontology. Journal of Sonic Studies 10(1). https://www.researchcatalogue.net/view/219290/219291
Højlund, M. K., & Riis, M. S. (2015). Political Tunings of the Piano: Ambient Readings of Sonic Art. Paper præsenteret ved The fifth decennial Aarhus conference, Aarhus, Danmark.
Riis, M. S., & Højlund, M. (2015). Inconsistent Attunements: Towards a Dark Ecology of Sounding Art. Paper præsenteret ved Terræn, Copenhagen, Danmark.
Højlund, M., & Riis, M. (2015). Wavefront Aesthetics: Attuning to a dark ecology. Organised Sound, 20(Special Issue 02), 249-262.
Riis, M., Andersen, C. U., & Pold, S. (2014). A Dialogue on Cassette Tapes and their Memories. A peer-reviewed journal about 3(1). http://www.aprja.net/?p=1627
Riis, M. S. (2014). Sounding Media Archaeology. Paper præsenteret ved 2nd ESSA Conference, Copenhagen, Denmark.
Riis, M. (2014). Operative magnetics: a trans-archaeological excavation. Trans-What symposium, Conference proceedings. http://www.transart.org/trans-what/2014/01/22/riis-operative-magnetics/ Berlin, Germany
Riis, M. (2013). The Switch of Carpentry – Memories from a Cassette Tape Recorder. Re-new festival, Conference proceedings. (pp. 124-127) Copenhagen, Denmark.
Riis, M. (2013). The media archaeological repairman. Organised Sound 18(3) (pp 255 - 265).
Riis, M. (2012). An Interview with The Steam Engine. In C. U. Andersen & G. Cox (Eds.), World of the News - The world's greatest peer-reviewed newspaper of in/compatible research (pp. 19). Berlin, Germany: Transmediale/resource for transmedial culture & Digital Aesthetics Research Centre.
Riis, M. (2011). The Interface and the Machine. In C. U. Andersen & G. Cox (Eds.), Public Interfaces - Peer-reviewed newspaper (pp. 14-15). Aarhus, Denmark: Digital Aesthetics Research Center & Center for Digital Urban Living, Aarhus University.
Riis, M. (2011). Machine Music Through The Ears Of The Repairman. Paper presented at ISEA 2011, Istanbul, Turkey.
Breinbjerg, M., Riis, M. S., Ebsen, T., & Lunding, R. B. (2011). Interfacing CO2: the villain of climate change. Paper presented at the OzCHI 2011, Canberra, Australia.
Breinbjerg, M., Riis, M. S., Ebsen, T., & Lunding, R. B. (2010). Experiencing the non-sensuous: on measurement, representation and conception in urban art installations. Paper presented at the Proceedings of the 6th Nordic Conference on Human-Computer Interaction: Extending Boundaries, Reykjavik, Iceland.
Riis, M. (2014). Det ukendte fællesskabs floskler. Seismograf/DMT, Copenhagen, Denmark. S. K. Groth (Ed.) Retrieved 3 March, 2014, from http://seismograf.org/anmeldelse/det-ukendte-faellesskabs-floskler
Riis, M. (2013). SYSTEMICS #2: AS WE MAY THINK (OR, THE NEXT WORLD LIBRARY)- Tekno-utopiens virkelighed. Seismograf/DMT, Copenhagen, Denmark. S. K. Groth (Ed.) Retrieved 2 November, 2013, from http://seismograf.org/systemic-2-as-we-may-think-or-the-next-world-library-0
Riis, M. (2013). Reparatørens maskiner. Kulturo, 36(19), pp 40-49.
Riis, M. (2013). Auxiliary Backup. Seismograf/DMT, Copenhagen, Denmark. S. K. Groth (Ed.) Retrieved 8 April, 2013, from http://seismograf.org/anmeldelse/auxiliary-backup
Riis, M. (2013). Lyden af i morgen er lyden af i går. Seismograf/DMT, Copenhagen, Denmark. S. K. Groth (Ed.) Retrieved 5 May, 2013, from http://seismograf.org/anmeldelse/lyden-af-i-morgen-er-lyden-af-i-gaar
Riis, M. (2013). Lyden af statisk elektricitet. Seismograf/DMT, Copenhagen, Denmark. S. K. Groth (Ed.) Retrieved 5 May, 2013, from http://seismograf.org/anmeldelse/lyden-af-statisk-elektricitet
Riis, M. (2012). Den fejlende musikmaskine Instrumentmagerne. Seismograf/DMT, Copenhagen, Denmark. S. K. Groth (Ed.) Retrieved 13 May, 2012, from http://seismograf.org/artikel/morten-riis-den-fejlende-musikmaskine
Riis, M., Olesen, J., & Siegel, W. (2012). Electronic Music Produced at DIEM 1987-2012 [Audio-CD with booklet]: Dacapo.
Riis, M. S. (2010). The machine – From divine utopia to everyday gadget. Paper presented at Aesthetic eruptions of the digital, Århus, Denmark.
Riis, M. (2009). ab.c - Aarhus Berlin Crush. DMT : Dansk musik tidsskrift, 83(November 09), 8-10.
Riis, M. (2009). Hvor er innovationen? In T. Schelle, K. G. Dal & N. Rosing-Schow (Eds.), Noter til musiklivet (Vol. 1, pp. 5). Copenhagen: Dansk Komponist Forening.
Riis, M., Schmidt, U. (2024) GENERIC SOUNDS - On the Typical, the Indistinct and the Impersonal in the Sonic Arts, Media and Auditory Culture. Editorial: Seismograf. DOI https://doi.org/10.48233/01
Højlund, M. K., Riis, M (2020) Transductive Wind Music: Sharing the Danish Landscape with Wind Turbines. Leonardo Music Journal, 30, pp.93-97
Højlund, M. K., Riis, M. S., Kirkegaard, J. R., & Kristensen, M. S. (2020) The Overheard: An Attuning Approach to Sound Art and Design in Public Spaces in The Bloomsbury Handbook of Sonic Methodologies. Eds. Michael Bull and Marcel Cobussen (pp 423-435). London, New York: Bloomsbury Publishing Riis, M (2020) Mechanics - From Physicality over Symbolism through Malfunction and Back Again” in The Bloomsbury Handbook of Sound Art. Eds. Sanne Krogh Groth and Holger Schulze. London, New York: Bloomsbury Publishing.
Cox, G., & Riis, M. (2018) (Micro) Politics of Algorithmic Music In A. McLean & R. Dean (Eds.), Oxford Handbook on Algorithmic Music. New York, Oxford University Press.
Lønstrup, A., Riis, M. S., Pedersen, B. S., & Borcak, L. M. L. W. (2017). Editorial: Voice and Memory . SoundEffect, 7(2), 1-3.
Højlund, M. K., Riis, M. S., Kirkegaard, J. R., & Breinbjerg, M. (2017). The Overheard: An ecological approach to public sounding art. Paper præsenteret ved UNeECC 2017: 11th Interdisciplinary Conference of the University Network of the European Capitals of Culture, Aarhus, Danmark.
Riis, M. S., Højlund, M. K., & Kirkegaard, J. R. (2017). The Overheard og OFFSTAGE: Lydkunst i det offentlige rum. Paper præsenteret ved Urban Lab , Horsens, Danmark.
Riis, M. S., Højlund, M. K., Kirkegaard, J. R., & Breinbjerg, M. (2017). The Overheard: Developing Ecological Methods for Sound Art in Public Spaces. Paper præsenteret ved Listening to the City, Cambridge, USA.
Højlund, M. K., Riis, M. S., Rothmann, D., & Kirkegaard, J. R. (2017). Applying the EBU R128 loudness standard in live-streaming sound sculptures. NIME Proceedings, 2017, 420-25.
Breinbjerg, M., Højlund, M. K., Kirkegaard, J. R., & Riis, M. S. (2017). The Overheard: an ecological approach to public sounding art. Paper presented at Sound + Environment 2017, Hull, UK.
Breinbjerg, M., Højlund, M. K., Riis, M. S., Fritsch, J., & Kirkegaard, J. R. (2016). Audio satellites: overhearing everyday life. I A. D. Angeli, L. Bannon, P. Marti, & S. Bordin (red.), COOP 2016: Proceedings of the 12th International Conference on the Design of Cooperative Systems (s. 297-202). [18] Springer.
Højlund, M. K., Riis, M. S., & Breinbjerg, M. (2016). Design af dynamiske atmosfærer med lyd. I Se lyset, hør lyden: udfold byens muligheder (s. 62-76). Urban Lab.
Riis, M. (2016). Machine Music - A Media Archaeological Excavation. Aarhus: Aarhus University Press.
Højlund, M., & Riis, M. (2016) Inconsistent Attunements - Not-knowing through Sound Art in Artistic Research. Quadratura (3).
Lindell, R., Tahiroğlu, K., Riis, M. S., & Schaeffer, J. (2016). Materiality for Musical Expressions: an Approach to Interdisciplinary Syllabus Development for NIME. NIME Proceedings, 16, 344-349.
Riis, M. (2015). Where are the Ears of the Machine? - Towards a sounding micro-temporal object-oriented ontology. Journal of Sonic Studies 10(1). https://www.researchcatalogue.net/view/219290/219291
Højlund, M. K., & Riis, M. S. (2015). Political Tunings of the Piano: Ambient Readings of Sonic Art. Paper præsenteret ved The fifth decennial Aarhus conference, Aarhus, Danmark.
Riis, M. S., & Højlund, M. (2015). Inconsistent Attunements: Towards a Dark Ecology of Sounding Art. Paper præsenteret ved Terræn, Copenhagen, Danmark.
Højlund, M., & Riis, M. (2015). Wavefront Aesthetics: Attuning to a dark ecology. Organised Sound, 20(Special Issue 02), 249-262.
Riis, M., Andersen, C. U., & Pold, S. (2014). A Dialogue on Cassette Tapes and their Memories. A peer-reviewed journal about 3(1). http://www.aprja.net/?p=1627
Riis, M. S. (2014). Sounding Media Archaeology. Paper præsenteret ved 2nd ESSA Conference, Copenhagen, Denmark.
Riis, M. (2014). Operative magnetics: a trans-archaeological excavation. Trans-What symposium, Conference proceedings. http://www.transart.org/trans-what/2014/01/22/riis-operative-magnetics/ Berlin, Germany
Riis, M. (2013). The Switch of Carpentry – Memories from a Cassette Tape Recorder. Re-new festival, Conference proceedings. (pp. 124-127) Copenhagen, Denmark.
Riis, M. (2013). The media archaeological repairman. Organised Sound 18(3) (pp 255 - 265).
Riis, M. (2012). An Interview with The Steam Engine. In C. U. Andersen & G. Cox (Eds.), World of the News - The world's greatest peer-reviewed newspaper of in/compatible research (pp. 19). Berlin, Germany: Transmediale/resource for transmedial culture & Digital Aesthetics Research Centre.
Riis, M. (2011). The Interface and the Machine. In C. U. Andersen & G. Cox (Eds.), Public Interfaces - Peer-reviewed newspaper (pp. 14-15). Aarhus, Denmark: Digital Aesthetics Research Center & Center for Digital Urban Living, Aarhus University.
Riis, M. (2011). Machine Music Through The Ears Of The Repairman. Paper presented at ISEA 2011, Istanbul, Turkey.
Breinbjerg, M., Riis, M. S., Ebsen, T., & Lunding, R. B. (2011). Interfacing CO2: the villain of climate change. Paper presented at the OzCHI 2011, Canberra, Australia.
Breinbjerg, M., Riis, M. S., Ebsen, T., & Lunding, R. B. (2010). Experiencing the non-sensuous: on measurement, representation and conception in urban art installations. Paper presented at the Proceedings of the 6th Nordic Conference on Human-Computer Interaction: Extending Boundaries, Reykjavik, Iceland.
Riis, M. (2014). Det ukendte fællesskabs floskler. Seismograf/DMT, Copenhagen, Denmark. S. K. Groth (Ed.) Retrieved 3 March, 2014, from http://seismograf.org/anmeldelse/det-ukendte-faellesskabs-floskler
Riis, M. (2013). SYSTEMICS #2: AS WE MAY THINK (OR, THE NEXT WORLD LIBRARY)- Tekno-utopiens virkelighed. Seismograf/DMT, Copenhagen, Denmark. S. K. Groth (Ed.) Retrieved 2 November, 2013, from http://seismograf.org/systemic-2-as-we-may-think-or-the-next-world-library-0
Riis, M. (2013). Reparatørens maskiner. Kulturo, 36(19), pp 40-49.
Riis, M. (2013). Auxiliary Backup. Seismograf/DMT, Copenhagen, Denmark. S. K. Groth (Ed.) Retrieved 8 April, 2013, from http://seismograf.org/anmeldelse/auxiliary-backup
Riis, M. (2013). Lyden af i morgen er lyden af i går. Seismograf/DMT, Copenhagen, Denmark. S. K. Groth (Ed.) Retrieved 5 May, 2013, from http://seismograf.org/anmeldelse/lyden-af-i-morgen-er-lyden-af-i-gaar
Riis, M. (2013). Lyden af statisk elektricitet. Seismograf/DMT, Copenhagen, Denmark. S. K. Groth (Ed.) Retrieved 5 May, 2013, from http://seismograf.org/anmeldelse/lyden-af-statisk-elektricitet
Riis, M. (2012). Den fejlende musikmaskine Instrumentmagerne. Seismograf/DMT, Copenhagen, Denmark. S. K. Groth (Ed.) Retrieved 13 May, 2012, from http://seismograf.org/artikel/morten-riis-den-fejlende-musikmaskine
Riis, M., Olesen, J., & Siegel, W. (2012). Electronic Music Produced at DIEM 1987-2012 [Audio-CD with booklet]: Dacapo.
Riis, M. S. (2010). The machine – From divine utopia to everyday gadget. Paper presented at Aesthetic eruptions of the digital, Århus, Denmark.
Riis, M. (2009). ab.c - Aarhus Berlin Crush. DMT : Dansk musik tidsskrift, 83(November 09), 8-10.
Riis, M. (2009). Hvor er innovationen? In T. Schelle, K. G. Dal & N. Rosing-Schow (Eds.), Noter til musiklivet (Vol. 1, pp. 5). Copenhagen: Dansk Komponist Forening.